Produce an audio drama

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Paste a radio script or a prose chapter and review the parse: every speaker, line, direction and sound cue, before anything is voiced. Cast each role from consented house voices; every line passes the consent ledger right before it is spoken. Music comes from cleared cues with licence certificates, and sound from CC0 or public-domain recordings or code. The mix is mastered to a podcast or ACX-style audiobook spec, with chapters, captions, show notes with an AI disclosure, a C2PA credential, a signed record and sides for human actors.

You give it: A radio script or a prose chapter, then your review of the parse and the cast; Details, API and self-host

Script

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Holmes, Watson and a masked visitor. A radio-play script with rain, fire, footsteps, a knock, a sting and an off-mic voice. Arthur Conan Doyle, "A Scandal in Bohemia" (1891), adapted as a radio scene; public domain (published 1891; the author died in 1930).

A radio play (NAME: line, [SFX: …], [MUSIC: …]) or a prose chapter3447

TITLE: A Scandal in Bohemia, scene one
Adapted from "A Scandal in Bohemia" by Arthur Conan Doyle (1891), public domain.

SCENE 1. 221B BAKER STREET. A WET NIGHT IN MARCH, 1888.

[SFX: Steady rain against the window]
[SFX: A fire crackles in the grate]
[MUSIC: Theme, then under]

NARRATOR: One night, on the twentieth of March, 1888, I was returning from a journey to a patient, when my way led me through Baker Street. I rang the bell, and was shown up to the chamber which had formerly been in part my own.

[SFX: A door opens]

HOLMES: Watson! Come in, come in. Sit in the armchair. Wedlock suits you. I think, Watson, that you have put on seven and a half pounds since I saw you.
WATSON: Seven!
HOLMES: Indeed, I should have thought a little more. And in practice again, I observe. You did not tell me that you intended to go into harness.
WATSON: Then, how do you know?
HOLMES: I see it, I deduce it. How do I know that you have been getting yourself very wet lately, and that you have a most clumsy and careless servant girl?
WATSON: My dear Holmes, this is too much. You would certainly have been burned, had you lived a few centuries ago. How do you do it?
HOLMES: (chuckling) It is simplicity itself. My eyes tell me that on the inside of your left shoe, just where the firelight strikes it, the leather is scored by six almost parallel cuts. Obviously they have been caused by someone who has very carelessly scraped round the edges of the sole in order to remove crusted mud from it.
WATSON: When I hear you give your reasons, the thing always appears to me to be so ridiculously simple that I could easily do it myself.
HOLMES: You see, but you do not observe. The distinction is clear. For example, you have frequently seen the steps which lead up from the hall to this room.
WATSON: Frequently.
HOLMES: How often?
WATSON: Well, some hundreds of times.
HOLMES: Then how many are there?
WATSON: How many? I don't know.
HOLMES: Quite so! You have not observed. And yet you have seen. That is just my point. Now, I know that there are seventeen steps, because I have both seen and observed.

[SFX: Paper rustles as a letter is unfolded]

HOLMES: By the way, since you are interested in these little problems, you may be interested in this. It came by the last post. Read it aloud.
WATSON: (slowly) There will call upon you tonight, at a quarter to eight o'clock, a gentleman who desires to consult you upon a matter of the very deepest moment. Be in your chamber then at that hour, and do not take it amiss if your visitor wear a mask.
WATSON: This is indeed a mystery. What do you imagine that it means?
HOLMES: I have no data yet. It is a capital mistake to theorise before one has data.

[SFX: A carriage and horses draw up in the street below]

HOLMES: A nice little brougham and a pair of beauties. A hundred and fifty guineas apiece. There's money in this case, Watson, if there is nothing else.
WATSON: I think that I had better go, Holmes.
HOLMES: Not a bit, Doctor. Stay where you are. I am lost without my Boswell. And this promises to be interesting. It would be a pity to miss it.

[SFX: Slow, heavy footsteps on the stairs]
[SFX: A loud, authoritative knock at the door]

HOLMES: Come in!

[MUSIC: Sting]
[SFX: The door opens]

THE VISITOR (off): You had my note? I told you that I would call.
HOLMES: Pray take a seat. This is my friend and colleague, Doctor Watson, who is occasionally good enough to help me in my cases.

OutputMusic (cleared cues from music-gen-cleared)

Voices are stock Kokoro-82M voices with consent-ledger entries; nothing is cloned. ACX does not accept AI narration: the audiobook mode meets its technical spec, not its eligibility rules. Each demo session renders 3 episodes; files are deleted after 7 days.

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